Du Jour Magazine Art Basel Party

Culture, Editorial, Fashion, Featured

dancer[1]

DuJour Magazine’s Art Basel Miami kick-off party was an exclusive affair, held at the Delano in South Beach, for those lucky enough to make the invite-only list. The remarkable night of style and sophistication was hosted by DuJour Magazine’s Haley and Jason Binn, and co-hosted by Dee and Tommy Hilfiger and Tony Shafrazi. The friends hosted a special celebration at the Delano Beach Club to honor Marc Quinn, one of the leading artists of his generation. Quinn is known for his sculptures, paintings, and drawings that explore the relationship between art and science, the human body, and the perception of beauty.

MIAMI BEACH, FL - DECEMBER 04:  (L-R) Kanye West, Kim Kardashian, and Jason Binn attend DuJour Magazine's event to honor artist Marc Quinn at Delano Beach Club on December 4, 2013 in Miami Beach, Florida.  (Photo by Eugene Gologursky/Getty Images for DuJour Magazine)

MIAMI BEACH, FL – DECEMBER 04: (L-R) Kanye West, Kim Kardashian, and Jason Binn attend DuJour Magazine’s event to honor artist Marc Quinn at Delano Beach Club on December 4, 2013 in Miami Beach, Florida. (Photo by Eugene Gologursky/Getty Images for DuJour Magazine)

After walking through the elegant Delano lobby, guests were greeted by live art performers with avatar-like makeup and colorful costumes with wings. Guests mingled around the infinity pool, which was lined with private cabanas. In true South Florida fashion, some of the invited even dipped their toes in the water as they watched an exotic fire-dancer perform, giving the illusion of walking on water.


Stoli Vodka provided cocktails for the night and tastemakers had the option of grapefruit or lemonade infused beverages. Miami’s most gorgeous servers passed around mouthwatering bites, which included caprice kebabs, chicken pate on toasted baguette, and cheesy puff pastries (Yum!). As the night progressed Hollywood’s hottest started pouring including power-couple Kanye West and Kim Kardashian, Entourage’s Adrien Grenier and supermodel Cindy Crawford.

DuJour Magazine threw an elegant yet laid back bash, which is the perfect mesh of what guests have come to expect of Art Basel.

Wanna Be A Star? There’s An App For That

Culture, Editorial, Fashion, Featured

Wanna Be A Star? There’s An App For That — @lisapirro315

First there was Tiffany singing in the Malls, then there was Justin Bieber on YouTube.
Now the next big thing is waiting to be discovered through an app on your phone.

The ShowMobile app features the HitStreak channel where you can follow four south Florida teenagers, Noah, Crystal, Mariangeli, & Brian as they attempt to burst onto the music scene!

What better way to meet the rising stars of HitStreak then by embracing the technology and doing a Skype interview with all four of them at the same time.

I caught up with the young performers while in the middle of shooting their first music video together. When asked how that was going, Mariangeli answered, “It’s awesome being with all your friends doing something you love.”

Even though they are all from Miami, had performed before, and go to they same school, surprisingly they had never worked together. Each auditioned separately for a roll on HitStreak, having to dazzle the producers with their ability to sing as well as act. Once grouped, they’ve performed at several schools, but Macy’s at the Falls Mall Holiday Season opening celebration was their first major public appearance. “We work so great together. It’s so amazing. We love each other. We have so much chemistry.” Crystal says.

This original appisode is about four friends that meet up together to save a fledgling recording studio called HitStreak whose owner, Ray, is getting ready to shut down. “And it’s up to us to save it” chimes Crystal. She adds “we’re friends, but also like family.” Noah explains that Brian is the “genius of the group” because he’s the one who made the app, performs himself and records all their songs. Clearly they all like each other well enough to sing each others praises and finish each others sentences.

On HitStreak, they all use their real names even though the show itself is not about them. Crystal explains it’s “scripted based on reality.” Noah clarifies “They script the characters to who we are. They really personalize the characters depending on where we want to go in our music career and what route we want to take” For instance, right now they are performing cover tunes, but during season two they will be singing some originals. Noah went to Nashville to work with some people on songwriting. “I’m excited, you’re going to like the songs we came up with”

They plan on touring the state of Florida and hopefully beyond. Crystal makes it known that “We want to tour the world” Being on an app downloaded on phones all over the globe they can do just that without ever leaving Miami.

Be sure to download the showmobile app, watch HitStreak and watch these kinds on their quest for stardom.
http://www.showmobile.com/

#hitstreakfan

@Noah_HSS @Crystal_HSS @Brian_HSS @Miariangeli_HSS @HitStreakStudiohit1

 

About Lisa:

Lisa Pirro has been entertaining since the age of six. With that many years in the business, she has just about done it all. While singing telegrams really sharpened her improvisational skills, it was through being the mistress of ceremonies for many different kinds of events, that she learned to become quick witted and spontaneous. This gave her the edge she needed to land the host position for several TV shows. All of her roving reports are unscripted and off the cuff which showcase her ability to interview anyone and handle any situation.

You many have seen her at numerous interactive dinner theater shows all around Florida, or perhaps in Las Vegas as a principal singer in the stage production “Deuces Wild.” In Nashville, Lisa produced, wrote and recorded a country CD of her own original work entitled “Simply Me” She has also been a columnist for several websites.

Lisa is an active member of Hands On Broward and spends several hours a month volunteering. She has used her voice as a reader for “Insight for the blind” (audio books and periodicals) She delivered Meals on Wheels to home-bound seniors for over five years and continues to do so every Thanksgiving. Lisa has also participated in the Neighbors for Neighbors Adopt-A-Family program during the holiday season as well as participated in the Big Brothers Big Sisters Organization.

Inside this small package of dynamite explodes an enormous voice full of power, wit and attitude.† Weighing in at 85 lbs and standing only 5 feet tall, she is sure to be remembered as the “little girl with the big voice”

Global Spin Awards

Culture, Editorial, Fashion, Featured
Shawn Prez, Kendrick Lamar

GSA’s Founder, Shawn Prez and Kendrick Lamar

The second annual Global Spin Awards honored music’s elite DJs, promoters and industry executives, at the New York Times Center in midtown Manhattan and was hosted by MYV’s own Sway Calloway.

Sway and Mack Wilds

Sway and Mack Wilds

Kendrick Lamar, DMC, Busta Rhymes, Sean Paul, Swizz Beatz, Marley Marl, and Kid Capri  came out to support the award show, the only DJ-focused event in the music industry.

Tahiry Elle Varner

Tahiry and Elle Varner

Other attendees included: Big Daddy Kane, DJ Premier, Elle Varner, Mack Wilds, DJ Prostyle, Maino, Tahiry, etc.

Photo credit:

Jamel Martin and VDot Photography

 

MIA Plus Kenzo Plus i-D Equals One Worthy Video

Culture, Editorial, Fashion, News

 

 

MIA-and-Kenzo-collaborate-008

MIA’s videos never disappoint. There is always a level of creativity that often merits watching the video more than once. MIA’S latest video (Y.A.L.A) is the ideal coalescence of all things cool. Always true to MIA form, the artist does the perfect job of killing you kindly with style without being a slave to fashion. Kenzo provides their signature eye for MIA’s garments and the brand’s signature video aesthetic of rapid imagery and vibrant colors are prominently displayed throughout the video.  The video debuted on i-D’s site today. The magazine’s YouTube page described the video as a:

“Rainbow rave explosions with glow-in-the-dark Matangi goddess Maya. Let’s dance unto infinity with Y.A.L.A… You Always Live Again!”

We must agree that we love the description and the video.

Watch and tell us your thoughts.

 

Our Opinion Lily Allen isn’t racist. You are.

Culture, Editorial, Fashion, Featured

lily allen

Lily Allen. What can we say? We have just added Ms. Allen to our growing list of Worthy Women of The Year for producing perhaps the most epic social commentary of the year. In her recent video, “It’s Hard Out Here (For A Bitch)” Lily satirizes the Pop and Hip Hop World, particularly for it’s exploitative visual presentations of women. In the video, Lily is on an operating table, receiving lipo (and presumably implants) as her body is critiqued by a caudrey of elderly white executives. She tries to help them understand that she has had two children (like many women) and then the camera flashes to a music video of a multicultural (albeit largely African American) assembly women, scantily clad and dancing provocatively. This, presumably is where the accusations of racism begin. Lily satirizes the absurd, stripper inspired dance routines that have become a mainstay in Hip Hop videos by hilarious parody. She fingers her own crotch and dances through a graphic of balloons that spell out that “Lily Allen Has A Baggy Pussy”. Those critical of the video are largely complaining about the visual images of black women pouring champaign on themselves, smacking and giggling their own asses and licking falic symbols like bananas. Lily Allen, they argue is obviously a racist!

 

We have one simple point/question. If the images of black women pouring champaign on themselves, and giggling their asses are disturbing for these protectorates of the black community, we (at Worthy Magazine) must ask where in the hell have these folks been for the last two decades of hip hop.

 

We won’t be coy here. The images in hip hop and pop music are not just deleterious to the African American community, they are debilitating. They have undermined the self image of African American women and the level of respect they enjoy both in the black community and outside of the black community. The term objectification is barely adequate when we consider the linty of songs that discuss black women as having little value beyond the sexual. Our little girls are now expected to hold in esteem female rap icons that flaunt their buttock implants to create an expectation that isn’t just unrealistic, it’s unhealthy.

 

We don’t actually believe that any of Lily Allen’s critics would take issue with any of our points. Any thinking person observing hip hop/pop imagery has become increasingly concerned about an industry that seems wholly fallacious. When broke artists are compelled to make endless anthems about money they don’t have, cars their labels lease for them and cribs that are rented, the industry itself can be seen as perverse. When musicians allude to date rape, drugging groupies, running trains and discuss sexuality with lyrics that are at minimum tinged with sexual violence- as images that depict black women are whores have become normative – reasonable people can conclude that perhaps, we have gone a bit too far. Again, we don’t think any one of Lily’s critics would take issue with our points. They take issue with the fact that these points came from a white woman.

 

The image of black women on their knees, twerking their asses, surrounding a Bentley isn’t new in music. In fact it’s so repetitive that it is trite. Where have these critics been when this same image is used in virtually every video of note. “I pray my dick gets big as the Eiffel Tower, so I can Fuck the World For 72 hours. God Damn I Got Bitches, Damn I got Bitches, Damn I got Bitches, wifey-girl friends and mistresses” is chanted with the professional precision from one of Hip Hops best M.C.’s as a gorgeous black queen is instructed to pop her ass vigorously next to Kendrick Lamar’s head. We are certain that images like this disturbed Lily Allen’s critics, yet they are angrier at her for a parody of them then they are at the actual images that inspired the satire. And why they are suddenly aroused to anger, is the most offensive of all. Her status as a white human being somehow means that she is unfit, or unallowed to poke fun at, or slam, through social commentary the denigration of black women? But if NAS wants to declare Gwenneth Paltrow “a real nigga” the twitter verse wont be calling for his head.

 

The real racist in this affair are in fact Allen’s critics, who cannot simply agree with the entirely valid points of a creative and socially responsible artist, because they don’t like the color of the person making the point.

 

We like the Allen video! We like the way she shows the elderly white male executives that drive the business that pays young blacks pennies on the millions of dollars in sales. We like that she shows that behind the cameras directing pops most sexual videos are often elderly men ordering beautiful black and white women to dump champagne on themselves and make their asses clap. We like that she shows that hip hops most denigrating images are not often the result of the creative expression of artists but rather of monetarily motivated geriatrics. We like the Allen Video! And we hope that it’s critics will reserve their fury for the industry that produces the images and not the satirist that lampoons them.

Here is what Lily Allen had to say about the accusations of her being racists.

“The video is meant to be a lighthearted satirical video that deals with objectification of women within modern pop culture,” she wrote. “It has nothing to do with race, at all.” She said that she tried for weeks to get her own twerk moves down but couldn’t get it right, and so hired the best dancers for the job; and that the reason she was more clothed was insecurity about her figure (reminding fans that she did have two children recently).

“I’m not going to apologise because I think that would imply that I’m guilty of something, but I promise you this, in no way do I feel superior to anyone, except paedophiles, rapists murderers etc., and I would not only be surprised but deeply saddened if I thought anyone came away from that video feeling taken advantage of, or compromised in any way,” she wrote, before concluding with an invitation to “Ask the ladies yourselves @shalaeuroasia @monique_Lawz @ceodancers @TempleArtist @SelizaShowtime @melycrisp.”

Watch and tell us.

 

Disney’s Maleficent Official Teaser Trailer

Culture, Editorial, Fashion, News

malef.preview

The latest trailer for Maleficent has been released. While it seems like most people are in love with the idea of casting Angelina Jolie as Maleficent, there has been some concern about the casting Aurora (Sleeping Beauty) who is played by Elle Fanning. What are your thoughts will you be heading out to see this film on May 30th? The dark, scary film will be told from Maleficent’s point of view an interesting side for Disney to take.

We Love Drake’s Worst Behavior

Culture, Editorial, Fashion, News

drake worst behavior

Drake dropped the music video for “Worst Behavior”  Monday morning. The song is the latest cut off of Drake’s current album “Nothing Was The Same”  the visuals star Drake’s father, along with appearances by Juicy J and Project Pat. The ten-minute video is broken up by an extended comedy skit featuring Drake’s friend/weed-carriers Ryan Silverstein and “OB” O’Brien before returning to shots of Drake with his crew and dance scenes. Drake is currently in the midst of his international tour “Would You Like A Tour?” to promote “Nothing Was The Same.”

We love it. How do you feel about it?